Silk Road China Tours

• By admin
• In DunhuangArt
• 2016-05-15

Dunhuang art -- Bodhisattva with a glass bowl, ink and colours on a silk banner

 i8eSilk Road Adventure & Private Tours - Silk Road China Tours

From Cave 17, Mogao, near Dunhuang, Gansu province, China
Tang dynasty, late 9th century ADi8eSilk Road Adventure & Private Tours - Silk Road China Tours

This is one of the most beautifully executed banners from Mogao in the British Museum. The well-balanced figure of the bodhisattva is supported by a lotus flower, depicted in fine detail. The figure's scarves and thick, black hair fall beautifully following the curves of the body. The glass bowl and some of the scarves are shown as transparent with a light wash of paint, all the details behind it visible.i8eSilk Road Adventure & Private Tours - Silk Road China Tours

The body is outlined in an even black line, with a light red paint wash used to indicate the inside of the palms and earlobes, folds of the neck and to pick out the eyes.i8eSilk Road Adventure & Private Tours - Silk Road China Tours

The glass bowl resembles actual examples from Iran. We know that Sasanian glass was very popular during the Tang dynasty (AD 618-906) in Buddhist temples such as the famous Famensi temple near Xi'an at one end of the Silk Road.i8eSilk Road Adventure & Private Tours - Silk Road China Tours

R. Whitfield, Art of Central Asia: The Ste-2, vol. 1 (Tokyo, Kodansha International Ltd., 1982-85)i8eSilk Road Adventure & Private Tours - Silk Road China Tours

 i8eSilk Road Adventure & Private Tours - Silk Road China Tours

R. Whitfield and A. Farrer, Caves of the thousand Buddhas: (London, The British Museum Press, 1990)i8eSilk Road Adventure & Private Tours - Silk Road China Tours